Fariba Hajamadi
| ONE PERSON SHOWS: |
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| 2001 | Christine Burgin, New York |
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| 2000 | Art And Idea, New York, “Shadows”, Video Installation |
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| 1998 | Galerie Laage-Salomon, Paris, “Without a Body of my Own”, Installation |
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| 1996 | Fonds Régionale d’Art Contemporain De Basse-Normandie, |
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| France Galerie Laage-Salomon, Paris |
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| 1995 | Max Protetch Gallery, New York, Installation |
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| 1994 | Musée Municipal de La Roche-sur-Yon, France |
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| 1993 | Galeria Transepoca, Milan Galerie |
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| Galerie Laage-Salomon, Paris |
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| 1991 | Ecole Régionale d’Art de Dunkerque, France | |
| Christine Burgin Gallery, New York |
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| Rhona Hoffman Gallery, Chicago, IL |
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| Galerie Laage-Salomon, Paris |
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| 1990 | Christine Burgin Gallery, New York | |
| 1989 | Interim Art, London |
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| 1988 | Christine Burgin Gallery, New York |
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| “Investigations”, I.C.A., Pennsylvania, PA |
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| Queens Museum, Queens, NY |
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| Christine Burgin Gallery, New York |
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| CEPA Gallery, Buffalo, New York |
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| SELECTED GROUP EXHIBITIONS: |
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| 2001 | “Snapshot”, The Contemporary Museum, Baltimore |
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| “Strange Home”, Installation, Kestner Museum, Hannover, Germany |
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| “On the Frac Track”, Maidstone Museum and Art Gallery, Maidstone, England |
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“Ekbatana”, Instl, Nikolaj Copenhagen Contemporary Art Center, Copenhagen K, Denmark |
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| “Exlux”, Installation, Kunsthall Tirol, Hall in Tirol, Austria |
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| 1999 | “Transmute”, Museum of Contemporary Art, Chicago |
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| 1998 | “Echolot”, Museum Fridericianum Kassel, Germany curated by René Block |
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| “Cultes Intimes”, Musée de l’Histoire Vivante”, Paris |
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| 1997 | “Wood Work”,Fisher Landau Center, New York |
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| ”Other Modernities”, Installation, Haus der Kulturen der Welt, Berlin, |
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| “You can’t get there from here”, Thomas Nordanstad Gallery New York |
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| Nikolaj Copenhagen Contemporary Art Center, Copenhagen K, Denmark, Installation |
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| 1996 | “Remote Connections”, Installation, Wäinö Aaltonen Museum, Turku, Finland |
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| Art Focus, Jerusalem, Israel; Neue Galerie am Landesmuseum Joanneum, Graz, Austria “Sosies”, Installation, | ||
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Sagacho Exhibition Space, Tokyo, Japan; curated by Hervé Mikaeloff |
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| “Departure Lounge”, Instl., P.S.1 Museum, Clock Tower Gallery, New York |
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| “dif.fer.ence”, Kent Gallery, New York |
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| “Home/Salon”, Installation, P.S.1 Museum, Clock Tower Gallery, New York; curated |
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| 1995 |
“4th. Internatinal Biennial of Istanbul”, Installation, Turkey; curated by René Block(cat.) |
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| “Nouvelles Aquisitions et Collection du Musée”, Musée Municipal de La Roche-sur-Yon |
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| “Rencontres Internationale de la Photographie”, Arles, France(cat.) |
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| 1994 | “Sosies”, Paris; curated by Hervé Mikaeloff |
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| “L’Hiver de l’Amour”, Instl., ARC Musée d’Art Moderne de la Ville de Paris; |
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| P.S.1 Museum, “Drama” |
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| Installation, Max Protetch Gallery, New York; curated by Xavier Laboulbenne |
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“Don’t Look Now”, Thread Waxing Space, New York; curated by Joshua Decter (catalogue) |
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| “Where is Home”, Kent Gallery, New York |
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| 1992 | “Misure e Misurazioni”, Villa Campolieto, Naples |
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| “Images Metisses”, Institut du Monde Arabe, Paris; curated by Xavier Laboulbenne |
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| “Material Matters”, Fisher Landau Center, New York |
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| “Group Show”, Rhona Hoffman Gallery, Chicago |
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| 1991 | “The Library of Babel”, White Columns, New York; curated by Todd Alden |
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| “Hajamadi, Perlman, Welling”, Richard Kuhlenschmidt Gallery, Los Angeles |
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| “Trans/Mission”, Rooseum Museum, Malmo, Sweeden; curated by Lars Nitve (catalogue) |
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| “Displazamientos”, Atlantic center of Modern Art, Las Palmas; curated by Octavio Zaya |
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| Centro per l’Arte Contemporanea Luigi Pecci, Prato (cat.) |
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| 1990 | “Vertigo”, Galerie Thaddaeus Ropac, Paris |
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| “Fariba Hajamadi, Langlands& Bell, Michel Paysant”, Galerie Ralph Wernike, Stuttgard(catlg) |
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| “Disconnections”, Galleri Nordanstad-Skarstedt, Stockholm |
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| “Assembled”, Rice University Art Gallery, Wright State University, Dayton, OH (catlg.) |
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| 1989 “Fauxtography”, Art Center, Pasedena, CA; curated by Nora Halpern Brougher |
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| “A Good Read: The Book as Metaphor”, Barbara Toll Gallery, New York |
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| “The Silent Baroque”, Thadaeus Ropac Gallery, Salsburg(catlg.) |
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| “Painting/Object/Photograph”, Barbara Krakow gallery, Boston |
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| 1988 | “The Inside and the Outside”, Rhona Hoffman Gallery, Chicago |
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| 1987 | “Quatriemes Ateliers Internationaux”, FRAC des Pays de La Loire, Fontevraud, France (catl) |
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| “CalArts: Skeptical Belief(s)” |
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| The Renaissance Society, Chicago |
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| New Port Harbor Art Museum, New Port Beach, CA (catalogue) |
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| Annina Nosei Gallery, New York |
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| Galerie Ralph Wernike, Stuttgard (catalogue) |
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| “Bienal International de Peintura”, U.S. Pavillion, Museo de Arte Moderno, Cuenco, Equador |
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| “2001 1/2”, Loughelton Gallery, New York; curated by John Baldessari |
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| “Fake”, The New Museum, New York; curated by William Olander (cat.) |
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| EDUCATION: | ||
| 1980-82 | California Institute of the Arts, Valencia, CA, Master of Fine Arts |
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| 1977-80 | Western Michigan University, Kalamazoo, MI, Bachelor of Fine Arts |
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| BIBLIOGRAPHY: | ||
| 2001 | Ken Johnson, The New York Times, May 5 |
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| 1997 | Henri-François Debaillot, Libération, October 2 |
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| Theophile Barbu, “Portrait de Fariba Hajamadi,” Site R & D, Internet |
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| Dan Cameron, “Reconciling Opposites,” Museum Fridericianum, Kassel, Germany(cat.) |
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| Dirk Schwarze “ Von der Kraft der Frauen,” Kunstforum, July-September |
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| 1996 | Françoise-Aline Blain, Block Notes, September-October |
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| Jerôme Sans, Artforum, October |
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| 1994 | Ken Johnson, Art in America, November |
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| Kim Levin, The Village Voice, April |
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| Olivier Zahm, Artforum, January |
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| Françoise-Claire Prodhon, Flash Art, March |
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| Joshua Decter, “Fariba Hajamadi: The Invention of Disappearance,” Musée Municipal de La Roche-sur-Yon, France (catalogue) | ||
| Laurence Imbernon, “A Première Vue,” Musée Municipal de La Roche-sur-Yon (catlg.) |
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| Françoise-Claire Prodhon, “Intervew with Fariba Hajamadi”, Paris, |
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| ETC Montreal, May |
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| 1992 | Marco Senaldi, Flash Art, December |
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| “Exporama,” Art Press, November |
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| Henri-François Debaillot, Libération, September 30 |
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| Harry Bellet, Le Monde, September 23 |
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| Michel Nuridsany, Le Figaro, September 14 |
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| Elisabeth Vedrenne, Beaux-Art, October |
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| Octavio Zaya, “An Interview with Fariba Hajamadi,” Atlantica, July |
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| Joshua Decter, Arts Magazine, February |
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| 1990 | Charles Hagen, The New York Times, November 15 |
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| Gretchen Faust, Arts Magazine, July-August |
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| Joshua Decter, Arts Magazine, January |
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| Christian Leigh, Interview, “Fariba Hajamadi,” Flash Art, January-February |
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| Joshua Decter, Galleries Magazine, April |
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| Denis Baudier,”Les espace contradictoire de Fariba Hajamadi,” Art Press, July-Aug. |
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| David McCraken, Chicago Tribune, September 14 |
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| Eleanor Hartney, Artnews, May |
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| Joshua Decter, Artscribe, May |
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| Robert Mahoney, Tema Celeste, April-June |
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| 1988 | Joshua Decter, Flash Art, July-August |
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| Mary Ellen Haus, Artnews |
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| 1987 | Jerome Sans, “Quatriemes Ateliers Internationaux,” F.R.A.C. des Pays de la Loire, Fontevraud (catalogue) |
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| Gary Indiana,”Fariba Hajamadi,” ICA, Philadelphia (catalogue) |
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| William Olander, “Fake,” The New Museum of Contemporary Art, New York (catlg.) |
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| Chris Dercon, “A Different Corner,” Museo de Arte Moderno, Cuenco, Equador, (catlg.) |
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| Rosetta Brooks, “Fariba Hajamadi: 20/20 Vision,” CEPA Journal, Winter |
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| Roberta Smith, The New York Times, April 17 |
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Daniela Salvioni, Flash Art, July-August |
