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ARCHIVES

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February 13 - May 17, 2009
Over-the-top doesn't quite capture the incredible vulgarity of it all.
Gregory de la Haba's Equus Maximus is unabashedly pagan. Grand carnal passions ignite in a full-scale installation of barbarism and gaudy frills. It is the decadence of Rome and the unquenchable greed of recent years. It is primitive hunger and lust, unbridled--the return of the repressed.
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AN OPERA FOR DRELLA
April 17 - May 17, 2009
Andy Warhol was cool. He defined it. He still does. He was also gay, and peer-pressured in his professional life to stifle it...
Therein lies the drama of Sholem Krishtalka's extraordinary new exhibition of paintings at Jack the Pelican, entitled "An Opera for Drella," after Lou Reed’s Songs for Drella.
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Old School
March 27 - April 26, 2009
There was that moment in Williamsburg's history when intrepid collectors (many of relatively modest means) began to cross the river scouting for talent. It wasn't about the name. It was about finding something to fall in love with. Now, more than fifty artists have graciously agreed in support of Jack the Pelican to dip down their prices for this special exhibition to levels not seen in years.
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Going for B'roque
Jennifer Delilah
Claudia Hart
John Wellington
February 13-March 15, 2009
The paintings of John Wellington and Jennifer Delilah and the new media paintings and sculptures of Claudia Hart do indeed go Baroque...just as quickly as they depart from it. Each circles back to this pivotal period of art history to examine more deeply the predicaments of our own cultural moment.
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January 9-February 8 , 2009
It is no accident that the enigmatic plaster slabs popping here and there through the installation resemble in size and orientation the humble, bone-fragile tombstones of an old New England cemetery. In a sense, Larson is playing with ghosts.
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January 9-Febrauary 8 , 2009
The timely anachronism of Richard Oliver Wilson's mechanistic renderings of super-tech ideas points to Britain in an era when unassuming people lived in modest circumstances. ...It's a remarkably different world than our own. ...Or is it?
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ROB FISHER

November 14-December 21, 2008
It's Neo-Hitchcock. Each painting is the documentation of a real New York City crime (ca. 1900 - 2007), with a tableau of evidence painted into a shallow neo-Modern space.
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Dejan Kaludjerovic
JE SUIS MALADE
November 14-December 21, 2008
An extraordinary video installation by the world-renowned Serbian artist.
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Eric Yahnker
Piano Man (for Guitar)
October 10–November 9, 2008
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See video documentation
from A Supreme New York Thing

On Yahnker's recent show at Kim Light in LA:
Comedy, animation, drawing -- they all come together in this modest solo exhibition by Eric Yahnker, an artist who has worked on such TV shows at "South Park," "MADtv" and "Seinfeld." His art ties together the absurd with the poetic, trying to find order in a chaotic pop world.
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SIN-A-RAMA: An Alphabetical Ballad of Carnality
DAVID SANDLIN
It goes without saying that Jack the Pelican is honored to present the latest and greatest from the renowned David Sandlin.
Who is David Sandlin? --The artist is genuinely too humble to give himself the credit he so hugely deserves...
September 5 - October 5, 2008
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"Now What?"
Arthur Cohen
On one level, Arthur Cohen's "Now What?" is a show of monumental paintings of two very interesting men from two very different back grounds, both important 'teachers' in their respective fields. It is fascinating to see them learn from each other.
September 5 - October 5, 2008
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Ghostwriters
The first collaboration between New Yorker Tyler Coburn and Londoner Sebastian Craig, "Ghostwriters" is an imaginary account of Brooklyn narrated in drawing, architecture and prose.
July 10 - August 10, 2008
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Affirmation Dungeon
July 10 - August 10, 2008
New York's first glimpse of New Zealand sensation Dan Arps. read more |
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WORE! is frightening and beautiful.
The paintings of both Heather Morgan and Ben E. Ward are powerful enough on their own. The combination is jolting!
April 25 - May 25, 2008
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Altered States
Adrian Hatfield
Joe Meiser
May 30 - June 29, 2008 The show takes its title from the 1980s film, directed by Ken Russell, about a scientific researcher's disastrous investigations into states of consciousness. The personal mythologies of Hatfield and Meiser extend into the future and the deep dark past. Read More |
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Your Fear Is that You Still Might Love this Country
Provocateur and pied-piper of the burgeoning Kansas City art scene, David Ford will present WHITE LIKE ME, his first New York solo exhibition at Jack the Pelican
April 25 - May 25, 2008
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HEADSetera
An intimate show of heady interplay between three seasoned artists - Peter Drake, Laurence Hegarty and Mark Mennin - whose work couldn't be more different.
April 25 - May 25, 2008
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On the face of it, Belfast artist Susan MacWilliam breathes life into the obscure history of research into paranormal perception. Straddling the roles of scientific investigator, documentarian and artist, she delivers hauntingly beautiful video-based installations of real case studies. On another level, MacWilliam unravels some of our most basic assumptions about art, authenticity and perception.
March 21 - April 20, 2008
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Irvin Morazan's headdresses and horse sculptures commemorate the displaced and exterminated indigenous tribes of the Americas.
March 21 - April 20, 2008
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Robin Williams paints red-blooded American children being adorably cute, and doubting it.
February 15 - March 16, 2008
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Nathan Lewis is a history painter. His works are epic and his references very direct.
February 15 - March 16, 2008
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Tom Bogaert documented genocide and human rights abuses in Africa and Asia for fourteen years as a lawyer for Amnesty International and the UN High Commissioner for Refugees. Five years ago, he resigned to become an artist.
January 11 - February 10, 2008
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"Just Cause It's Legal Doesn't Make It Right." --Michael Genovese paints out the message in Spanish, Polish and Hebrew (the ethnic languages of this area) with great exuberance across the back wall of the gallery. It's a grand, festive sign, zesty with decorative flourishes, like something you once saw painted on the window of a Rochester diner or an LA street vendor's cart. --A little bit of ethnic spice, maybe a whiff of nostalgia, earnestness instead of irony... But the resemblance ends there. This is the mother of all signs. A masterfully executed, conceptually and politically loaded firebomb of understatement.
January 11 - February 10, 2008
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Guy Benfield exploded onto the Australian art scene in 1991 and ever since has been exporting his signature good-vibe brand of ritualized mumbo-jumbo performance-installation and video throughout South East Asia and Europe.
November 17-December 23, 2007
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The dry wit of acclaimed British video pioneer George Barber reaches a new level of understatement in "The Long Commute." Projected onto a modernist sculptural form, a lone auto makes its way endlessly around and around. It moves as one drives on the way to work, with quiet resignation.
November 17 - December 23, 2007
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 In "Oh!," Elisheva Levy creates a swath of sweet blue graffiti sky on slippery, shiny panels across the gallery's floor. Viewers come upon a moment of mutual surprise, as the artist appears to have just suddenly fled upon discovery, leaving behind the spray-cans of her idling wonder.
October 13 - November 11, 2007
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Jack the Pelican is pleased to present stalwart of the revolution, Bruce Conkle. De facto king of the Pacific NW eco art geeks and self-styled "misfit at the crossroads," he creates "Lament for Middle Kingdom Earth," a quirky eco-absurd installation that restages contemporary ideas about nature and community in a pre-modern world of fairytale landscape.
October 13 - November 11, 2007
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"The Fall Season" in the back room at Jack the Pelican is a show about (what else?) falling.
Featured artists from around the world include: Susan MacWilliam from Belfast, Li Wei from China, Robert Yarber from Sonnabend and Jerry Kearns, Robin Williams and Graham Guerra from Jack the Pelican.
Feeling groundless? Join the club.
September 7 - October 7, 2007
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Matt Hansel unveils "Youth Is Wasted," his tour-de-force 'coming of age' solo debut at Jack the Pelican, featuring paintings and sculptures about teenage stoners.
September 7 - October 7, 2007
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MAXIMON
This is the one-night-only performance spectacle of Kansas City legend David Ford.
Maximon is the patron saint of vices. Please bring a little bit of yours to share with him.
This is an all-out presentation of one of the most gorgeous and decadent, debaucherous spectacles to ever grow out of the American Midwest.
Upstairs 4 painters and 4 furries compete for porridge in Jay Van Burren's FurSuit Portrait Paint-Off.
September 14, 6.30 - 11pm , 2007
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Meet the mad buoyant exuberance of Spanish Neo-Punk star Carlos Maciá He sprays his 75 feet of gorgeous retinal punch massively onto the gallery walls.
July 25 - August 25, 2007
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Matthew Porter presents a tightly edited selection of five color photographs, in an exhibition entitled, "Somerset County."
July 25 - August 25, 2007
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In "Haunted Trailer Park," Jesse Wiedel brings the trailer culture antics of Raising Arizona to a new pitch of comic demoralization. His hard-scrabble ne'er-do-wells just
can't get enough of beating themselves up.
June 16 - July 14, 2007
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Sarah Gamble makes meaty paintings of electromagnetic particles shimmering the spectrum of color and light through darkly brooding landscapes.
June 16 - July 14, 2007
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Sarah Bereza paints "Good Girl." She is the privileged, daddy-bonding American in pearls.
May 12 - June 10, 2007
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Walter Benjamin Smith curated this show highlighting four young artists, Justin Lieberman, Jina Valentine, Jason Loebs, and Matthew Siegle. Each presses fast forward on the Bowie button, shape-shifting their artistic identities with a new level of self-awareness and rapidity.
May 12 - June 10, 2007
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In "Wallpaper" Natalie Lanese collides pop patterns with collage on a massive scale.
March 31 - April 31, 2007
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Chris Domenick creates a contemporary Baroque from the humble stuff of ballpoint pen, carpet, contact paper and sawdust.
March 31 - April 31, 2007
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"Tropical Punch" is a King Kong mixed drink of delicate, sculptural grace and dumb brute force. Tropical meets arctic in a fantasy land of hard-hitting adventure play. The strange electricity will set your heart to pounding.
Features Derek Larson, Marie Lorenz, Molly Larkey, Hubert Dobler, Michelle Handelman, Peter Kreider, Robert Ladislas Derr, Nicole Mayhew
Melissa Lundquist, Aaron Krach, Lara Kohl, Eric Doeringer, David Kennedy Cutler, Peter Kreider, Tim Folland & More
February 17 - March 18, 2007
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A hot-tub installation by Zack Davis & Aaron Howe.
Smug, like smog, is everywhere. Hot tub as social
critique? Yes! as Howe & Davis see it, there's a war
going on, not to mention plague upon plague of other
social, economic and political evils.
February 17 - March 18, 2007
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Caleb Weintraub
Profusions of cherub-sweet toddlers roam the streets like George Romero's undead, blasting your cherished icons to happy-delicious smithereens.
January 5 - February 4, 2007
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An exhibition of ambitious works of art that would
be impossible to display in the confines of an art fair.
Grendel is the powerful beast in the Anglo-Saxon
epic Beowulf. He is of the wilderness... untamed,
ferocious and proud. And he is young. Maybe a
wee rash.
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In "Snipe Hunt," George Jenne kills a mockingbird.
The artist, North Carolina born and bred, taunts us with the snippets of an elusive narrative, ducking and twirping through three cinematically-charged sculptural installations
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November 17- December 17, 2006
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Jean Seberg embodied a post-war American
sexuality of naive jouissance, virtuous but suggestively permissive.
That little cowboy of Benton-esque flourishes is artist
JAMIE ADAMS, so palpably eager to draw
the blossomed vixen, you can hear his whistle blow.
November 17 - December 17, 2006
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REDNECK GRAFFITI
The South rises again in the Atlanta-based duo Tindelmichi.
This is the Siamese-twin persona of Michi and John Tindel. Together, they create fixins of fresh contemporary Southern humor and hospitality, grace and charm, country and crunk, born of pride in southern roots and culture.
October 13 - November 12, 2006
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PUS LUST
Jack the Pelican is thrilled to introduce New York to the vulgar and disgusting videos of Paul Nudd.
These are strangely intimate glimpses into unholy personal and private events. Child-birthing comes to mind. Vomiting. Horrific bowel movements. The fleshy forms appear to quiver with effort. And watching is stressful with suspense.
October 13 - November 12, 2006 Read more

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PETER CAINE
NEW WORKS
Our heroes, villains and sacred cows mechanically come alive as Frankenstein
robots, oozing pitch-dark schoolboy humor. The kids clamor at the door to
get in, but clearly this is not suitable for family viewing.
September 8 October 8, 2006
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Knock Knock Picnic
July 7 - August 7, 2006
Assocreation from Vienna, Austria
Ondrej Brody & Kristofer Paetau from Prague, Czech Republic
The Fantastic Nobodies from Brooklyn
Parfyme Deluxe from Copenhagen, Denmark + Brooklyn
Hampus Pettersson from Gothenburg, Sweden
& Marc Ganzglass from Brooklyn

This is an exuberant laissez-faire summer curation of 95% famously unpredictable artists. What they will do is anybody's guess.
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Gasoline is volatile. This rowdy symbolic adventure is a timely meditation on the American romance with aggressive power.
In "Gasoline" Hubert Dobler assaults the polite electronic
facade of our postmodern service-industry landscape with his mean machine Honda CB550 Four, 1976. It is gasoline, the return of the repressed.
June 2 - July 2, 2006
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Chris Rush draws portraits of unusual children and adults, often with physical anomalies and disabilities. These individuals have rarely been included in our cultural record, and are nearly invisible in the everyday world. When we do happen upon them, we tend to avert our eyes.
April 28 - May 28, 2006
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Lethe, 2006, watercolor on stretched paper, 42 x 66", detail
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Russel Nachman paints a lucid dream. Where have all the hippies gone? ...They have abandoned their utopias.
April 28 - May 28, 2006
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THE MATTHEW BARNEY SHOW, curated by Eric Doeringer.
It brings together the artwork of more than 30 emerging and established artists who have been inspired by video artist Matthew Barney. It includes drawings, paintings, photography, videos, fashion and Matthew Barney memorabilia.
Features Richard Albeda, Barry X Ball, Matthew Ray Barney, Stephen Beveridge, Roz Chast, Michael R. Crusoe, Ryan Dale, Rico Deerring, Alan Demille, Marta Edmisten, John Allen Gibel, Sean Grilling, Ryan Humphrey, J.T. Kirkland, Nathan Kukulski, Sarah Lamont, David Langly, Matthew Larkin, Liz Magic Laser, Dan Levenson , Scott Lipman, Robert Madrigal, Charles McAndrews, Aaron McDonald, Sean Meyer, Plasticgod, Bradley Rubenstein, Steve Silvers, Harry Smythe, Carolyn Sortor, Chris Spinelli, Gilad Stark, Kimberly Stubbins, Amanda Tamayo, Erik Tlaseca, Timothy Tupper, Odey Curbello Urquijo, Dax Van Aalten, Patrick Welch and more.
April 1 - April 23, 2006
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Jillian McDonald awoke in the middle of a slow-motion kiss between Cate Blanchett and Billy Bob Thornton. "I knew immediately and irreversibly the I should be kissing him instead of her. I was in love."
March 24 - April 23, 2006
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There is power in the photographs of Justin Reyes. Behind the veils, these women are hauntingly ancient and sexual. Pantyhose fetish takes on the proud, dark eroticism of Spanish Baroque.
March 24- April 23, 2006
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The artist Rodney Dickson recreates a Saigon Snake Bar, circa 1975. Snake Bar is what the Vietnamese of that era called a watering hole where American GIs went for Vietnamese women. Upstairs at Jack the Pelican.
March 24, 2006
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Guerra de la Paz is Cuban artists Alain Guerra and Neraldo de la Paz. This fortuitous marriage of their two last names points to the inextricable convergence of peace and war in the long dance of history. —And makes of the two artists a living allegory. War is everywhere, and, everywhere, shadowed by peace. And peace by war.
February 10 - March 20, 2006
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The art-destroying stuntman hijinks of Tim Folland spring from the cartoon antics of Wile E. Coyote. At the center of his video installation, "Death-defying Dervish Gangbuster Rebel" is the stupendously resourceful, maniacal idiot Goldhead, who, in his oversized helmet mask with hooked little nose, bears a striking resemblance to Richard Nixon.
January 6 - February 5, 2006
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Nell Stewart freshly plunges into the medium of video with disciplined abandon in the hypnotic feminist masterpiece, "To the Trees".
Prim hysterical nurses wiggle free of their uniforms and parade in crouch- walking dance, axes raised high. As freakish as the winged monkeys in The Wizard of Oz
January 6 - February 5, 2006
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Caspar David Seance attempts to recover our naive and dark Romantic mysticism from the flat precociousness of the New Age. We want it back.
Features Jody Ake, Fia Backstrom, Olivia Barr, Mia Brownell, Andrea Cote, Matthew Fisher, JJ Garfinkel, Ann Hirsch, Lars Kremer, Adela Leibowitz, Anne Arden McDonald, Anja Mohn, Alexandra Newmark, Kelly Sturhahn and Ruth Waldman
November 18 - December 18, 2005
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VIP EVENT
Seance by World-Renowned Psychic Medium Jackie Barrett to Conjure German Romantic Painter Casper David Friedrich.
This is not performance art. It is real.
December 8, 2005
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Jack the Pelican presents the exhibition "Entry Island" by multi media artist Ianthe Jackson. This comprehensive exhibition explores the intersection of various contemporary social constructions and it's relationship to location. Ianthe Jackson presents a series of installations that include animation, kinetic sculpture and drawing.
November 18 - December 18, 2005
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Jack the Pelican is proud to present a painter of uncommon vision, humor and grace who happens to be on the far far side of forty. And is very very cool.
Arthur Cohen shows four monumental selfportraits.
October 14 - November 13, 2005
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In "Dutch Misters" Amy Hill accords her contemporary rockers, bikers and hipsters the dignity of Erasmus of Rotterdam. She paints the tough girlie men rocker boys like she
means it, devotionally.
October 14 - November 13, 2005
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Michelle Handelman's Laughing Lounge is
inspired by the German cult film Kamikaze 1989,
in which surveillance monitors broadcast a laughing contest 24 hrs a day, and the laughing clubs of India, where people laugh in unison for physical and spiritual healing.
November 5, 9pm - midnight
November 9, 7pm - 9pm
November 12, 9pm - midnight
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Jack the Pelican launches its Fall season with Jesse Bercowetz and Matt Bua's fierce, gung-ho homage. The largest Bowie knife ever made. It cantilevers 120 feet through the spine of the gallery and is reputedly sharp enough to cut a tomato.
This masterful wreckage of salvaged debris explodes into a demonic, hoodlum's opera.
September 9 - October 9, 2005
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THE NEW DEAL ERA AND NOW
An exhibition organised by Matthew Lusk featuring:
Caroline Allison, Alyse Emdur,
Valerie Hegarty, Lara Kohl,
Matthew Lusk, Sophia Naess,
Lucy Raven, Aaron Wexler,
Seth Cameron, Lawrence Gipe,
David Harrison Horton, Julian LaVerdiere, Vincent Mazeau, Rachel Owens,
James Merle Thomas and Letha Wilson
June 21 - August 28, 2005
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In "Superhero Lonely" John Jacobsmeyer imparts a pathetic, world-weary dignity to pop superheroes and freaks of the realm.
June 10 - July 10, 2005
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Nude sex kittens and little white kittens with blue eyes share the stage in Amy Pina, Allison Edge and Maria Capolongo's three-woman painting exhibition, "For Your Eyes Only."
June 10 - July 10, 2005
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Sleeping with the Enemy
Gil and Moti are the only couple ever to be officially married on the Queen's Balcony, Rotterdam. Only three times in a hundred years has this sacred venue ever been used.
May 6 - June 5, 2005
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In the exhibition "Weasel Pop" Charles Browning offers a timely send up of the blithe, plain-lore idealism at the heart of contemporary American populism.
May 6 - June 5, 2005
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